21年開始的Project，又重新拿出來修改。Ashura是比較少有的，有這麼高自由度的3D動畫案，也讓我們有機會測試不同工作流程，可以說，這個動畫案子也見證了Late Studio不少再「營造電影感」方面的技術進步。此次重製期間，Eric給了很多有用意見，感謝！聲音設計也找來了李晴，我們都對聲音有研究，所以開會過程也十分愉快。
阿修羅 Ashura | 電影感宣傳片 Cinematics
The project that started in 2021 has been brought out again for modifications. Ashura is one of the rare 3D animation projects with such high freedom, allowing us to test different workflows. It can be said that this animation project has also witnessed significant technological advancements at Late Studio in creating a cinematic feel. During this remastering period, Eric provided a lot of useful feedback, for which we are grateful! For sound design, we brought in Li Qing. Since we all have a background in sound, the meetings were very enjoyable.
Client: Gino Lai
Director: Kaicho Wong
Set Model: Tony Kwok
Effect: Timmy
Sound Design: li.ching
場景近鏡
Environment Close up
身體細節
Character Detail
主要鏡頭
Main Composition
結尾構圖
Conclude Shot
最終動畫影片 | Animation
分鏡縮圖 - Still Frames
暗黑主色調 – 金屬感點綴
一開始剛接收到Gino的3D模型，以及提供的黑+金色的顏色建議，就馬上能想象到整個影片「暗黑主色調 – 金屬感點綴」的主題調性，很統一且富有神秘感。
Upon first receiving Gino’s 3D model and the provided black and gold color suggestion, we could immediately envision the theme tone of the entire film as ‘dark main tone with metallic highlights,’ which is very cohesive and mysterious.
構圖上，我們也使用了道德經裡面「大音希聲，大象無形」的概念，故意不展示雕像的全貌，從而加強「這個阿修羅雕像真的很巨大，一次只能看到一部分，看不到整個全貌呢」的巨大感。而「石頭+煙霧」的開場也參考了一些MV裡的做法，很有效在短時間內營造氛圍。
In terms of composition, we used the concept from the Dao De Jing: ‘Great sound is rarely heard, great form is formless.’ We intentionally did not show the full view of the statue to enhance the sense of enormity, conveying that ‘this Ashura statue is really huge, and you can only see a part of it at a time, never the whole picture.’ The opening with ‘stone and smoke’ also references techniques used in some music videos, effectively creating an atmosphere in a short period.
版本對比 - Version Compare
左邊是半年前的版本，右邊是最近重製的版本
